A panel of distinguished historians called for reasonable debate and corrections to be made to the controversial “1619 Project” produced by the New York Times Magazine:
“We applaud all efforts to address the enduring centrality of slavery and racism to our history. Some of us have devoted our entire professional lives to those efforts, and all of us have worked hard to advance them. Raising profound, unsettling questions about slavery and the nation’s past and present, as The 1619 Project does, is a praiseworthy and urgent public service. Nevertheless, we are dismayed at some of the factual errors in the project and the closed process behind it.
These errors, which concern major events, cannot be described as interpretation or “framing.” They are matters of verifiable fact, which are the foundation of both honest scholarship and honest journalism. They suggest a displacement of historical understanding by ideology. Dismissal of objections on racial grounds — that they are the objections of only “white historians” — has affirmed that displacement.“
The Editor’s response was to defend the ideological intentions of the project’s founder:
“The letter from Professors Bynum, McPherson, Oakes, Wilentz and Wood differs from the previous critiques we have received in that it contains the first major request for correction. We are familiar with the objections of the letter writers, as four of them have been interviewed in recent months by the World Socialist Web Site. We’re glad for a chance to respond directly to some of their objections.
Though we respect the work of the signatories, appreciate that they are motivated by scholarly concern and applaud the efforts they have made in their own writings to illuminate the nation’s past, we disagree with their claim that our project contains significant factual errors and is driven by ideology rather than historical understanding. While we welcome criticism, we don’t believe that the request for corrections to The 1619 Project is warranted.
The project was intended to address the marginalization of African-American history in the telling of our national story and examine the legacy of slavery in contemporary American life. We are not ourselves historians, it is true. We are journalists, trained to look at current events and situations and ask the question: Why is this the way it is? In the case of the persistent racism and inequality that plague this country, the answer to that question led us inexorably into the past — and not just for this project. The project’s creator, Nikole Hannah-Jones, a staff writer at the magazine, has consistently used history to inform her journalism, primarily in her work on educational segregation (work for which she has been recognized with numerous honors, including a MacArthur Fellowship).
Though we may not be historians, we take seriously the responsibility of accurately presenting history to readers of The New York Times.“
In short, the “1619 Project” has presented a dubious interpretation of a complex and vital part of our history, and refuses to accept criticism as anything but racial politics.